
Like Robert Henke, Keith Fullerton Whitman, or Christopher Willits, Gregory Taylor takes on the problem of developing new ways to originate music by setting aside typical compositional / improvisational techniques in favor of developing new technologies capable not only of generating sound, but of creating music. Here he unifies the practice of synthesis, sampling, processing and looping into a single, simultaneously occurring stream of events that the listener perceives in the same living moment in which the composer creates.
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Emissary (Utusan)
Translator (Penterjemah)
Bem
Hunter (Pemburu)
Servant (Pelayan)
Historian (Sejarawan)
Gulu
Simon_petrus
Pelog
Ambassador (Duta Besar)
Dada
Nem
naar Kijkduin per Monorail
Lima
Barang
Schouder Uitlijning
Filipus_yang_melit
Gebedsmolens (Voorschoten)
Seismic Profile
Orbital Photo
Alchemistische Koeling
Ingebeelde Anaphora
Verlicht door Optimisme
Matius
_A
_B
Andreas
Deserted Pavilion (Menantikan)
On Detours and Return (Akhir Haji)
Yakobus_anak_zebedeus
Anak_kembar_tomas
Yakobus_anak_alfeus
_C
Natanael_yang_jujur
_D
Teak Gears
Cockpitgebouw
Simon_si_patriot
Yudas_anak_alpheus
A Terraced Hillside (Menghinggapi)
_E
_F
Yudas_iskariot
_G
Abandoned Vestments (Kambali)
_H
Uithof (Cohort)
01 - Bem
_I
Tempat Bermain
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