(1916-2003) For more than five decades, Gordon Binkerd, a sturdy andenergetic man of the Prairie, labored quietly writing music andtending his fertile black earth of trees and flowers. He delighted inmaking things grow. The strong musical forms that sprang from hisordered mind were as organic as plant growth, and as beautiful as thestark Nebraska landscape to which he was born. In discussion about SunSinger, Binkerd's first major orchestral work
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Essays for the Piano V, She to Him
Essays for the Piano IV, Lightly, like Music running
Essays for the Piano VI, Shut out that Moon
Essays for Piano (Excerpts): No. 6, Shut Out That Moon
Essays for Piano (Excerpts): No. 5, She, to Him
Symphony No. 2: Symphony No. 2: I. Moderately fast
11 Chorale Preludes, Op. posth. 122: No. 8. Es ist ein Ros entsprungen (arr. G. Binkerd)
Symphony No. 2: Symphony No. 2: II. Slow
Essays for Piano (Excerpts): No. 4, Lightly, Like Music Running
Sonata For Piano (1955): Allegro Moderato
Sonata For Piano (1955): Andante
Sonata For Piano (1955): Allegro
Ad Te Levavi
Sonata for Piano: I. Allegro moderato
Symphony No. 4 (1963)
Symphony No. 2: Moderately Fast
Symphony No. 2: Slow
Essays For Piano VI, Shut Out The Moon
Sun Singer, for Orchestra (1952)
Sonata for Piano: II. Andante
Sonata for Piano: III. Allegro moderato
Sonata for Piano: IV. Allegro
Sonata for Cello and Piano: I. Grave e con rubato - Allegro
Sonata for Cello and Piano: II. Andante
Sonata for Cello and Piano: III. Allegro
Symphony No. 2: I. Moderately fast
Symphony No. 2: II. Slow
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