Giovanni Battista Domenicho (name-form also appearing as Gioan/Giovan Battista Domenicho) is best understood not as a well-documented historical person but as an attribution label attached to a widely circulated Bergamasca/Bergamasco ground in early-seventeenth-century lute sources. The piece (often simply titled “Bergamasco” or “Bergamasca”) turns up across a broad manuscript-and-print network in northern and central Europe, and in at least one major lute print it is explicitly ascribed as “Bargamasca / Giovan Battista Domenicho.”
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Bergamasco
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