“Gieseguth” survives, for now, as a name in the margins of an eighteenth-century keyboard anthology: a single organ fugue in G minor, preserved in the Staatsbibliothek zu Berlin manuscript Mus.ms. 30334. In the source, the piece is headed “Fuga ex G moll” and explicitly attributed “di Giesegeguth,” occupying two pages of the manuscript. What makes this tiny footprint unusually vivid is its neighbourhood. In the digitised ordering of the manuscript
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Fuga ex G moll
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