When Matthew Houck first visited England in 2000, on the heels of his debut album (recorded as Fillup Shack), the London Evening Standard, in an oft-repeated hyperbole, suggested that Houck "may prove to be the most significant American in his field since Kurt Cobain." Others merely settled for the somewhat overused "the new Dylan." This, at a time when London was practically overflowing with young, American singer/songwriters wearing their hearts on their sleeves.
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Down Roads
You
Pull and Rise
Drown
No Need
Far Away
Leave
Better Days
Left Behind
Carry On
Ninety-nine
far-away
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Drool
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