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Wolke über Bäumen
L'art de toucher le clavecin, 2
hyphen
Clutch
Émoi
Largo calligrafico/"patientam"
Positioning in Radiography
L'art de toucher le clavecin, 3
Apostrophe 2 (pressing down on my sternum)
L'art De Toucher Le Clavecin - 2, For Piccolo With Violin
Colophons (That Other That ich not whenne, Reflecting Pool & Monument) [Version for Violin & 6 Voices]
Apostrophe 1 (All Communication Is a Form of Complaint): I. —
Die Bewegung Der Augen: Section I
Clutch (2005) For Violin
Die Bewegung Der Augen: Section III
Die Bewegung Der Augen: Section II
Apostrophe 1 (All Communication Is a Form of Complaint): II. —
Hyphen (2002) For Crotales
Ground
L'art de toucher le clavecin, 1
Die Bewegung Der Augen: Section IV
Apostrophe 1 (All Communication Is A Form Of Complaint): II.
'thaes ofereode, thisses swa maeg'
Apostrophe 1 (All Communication Is A Form Of Complaint): I.
Colophons ("That other that ich not whenne") reflecting pool/monument
'indolentiae ars', a medium to be kept
A general interrupter to ongoing activity
Positioning In Radiography (2007) For Three Toy Pianos
Apostrophe 1 (All communication is a form of complain) (2007-2008) for two bass Clarinets: II.
//DERELICT//
Supplement
hwil
Apostrophe 1 (All communication is a form of complain) (2007-2008) for two bass Clarinets: I.
qu'en joye on vous demaine
Rückenfiguren: i. Watris flowiden ouer myn heed
Rückenfiguren: ii. Thou seidist, drede thou not
Evan Johnson: A General Interrupter to Ongoing Activity for Solo Voice
Nature
2: several canons
mes pleurants: A. intimissimo e luttuoso
mes pleurants: ii. “Se Zephirus”
qu’en joye on vous demaine
A General Interrupter to Ongoing Activity for Solo Voice
three reversed movements, to bring destroyed objects back to life: I. Bianco quasi amoroso
three reversed movements, to bring destroyed objects back to life: II. Privato quasi eziolato — con massima intensità come doloroso
three reversed movements, to bring destroyed objects back to life: III. Bianco quasi amoroso
three reversed movements, to bring destroyed objects back to life: IV. Privato quasi più eziolato — con massima intensità
thaes ofereode, thisses swa maeg
“atendant, souffrir”, lists, little stars
mon petit pleurant
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