
The Ensemble Marâghî are currently exploring two lines: one vocal (hânende) and one instrumental (sâzende). The first one propose a travel that begins with the compositions of musician, composer and musicologist 'Abd ul-Qadir Marâghî, (Maragheh, 1360?- Herat, 1435). The vocal compositions were probably born in Samarkand, where Marâghî worked at the emperor Timur court. Following the Silk Road the compositions arrived in the Ottoman world where they influenced the birth of Ottoman classical music.
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Rast Nakis Beste ‘Amed Nesim-i Subh Dem’
Rast Agir Semâi
Rast Kâr ‘Haydarnâme’
Rast Kâr-i Muhtesem
Ferâhfeza IV Selâm
Ferâhfeza Son Pesrev & Ferâhfeza Son Yürük Semâi
Ferâhfeza Pesrev
Ferâhfeza Terennüm III Selâm
Son Pesrev (‘Bülbül Ussaki’) & Son Yürük Semâi
Ara Taksîm
Segâh Ilâhile
Rast Sarki ‘Biz Alûde-i Sagar-i Bâdeyiz’
Semâ‘î Nevâ
Untitled in 5/4
Nevrûz Acem Peşrevi
Nişabur Semâ‘î
Peşrev-i sakil
Peşrev Lâ’l Pâre maqâm nikrîz, usûl berefşan
Semâ‘î segâh
Pençgâh düyek
Semâ‘î Nikriz
Şehriyâî usûl darbeyn sakil ve düyek
Peşrev Ramâzânî usûl-i muhammes
Semâ‘î
Türkî Har Cuy
Semâ‘î Rast Pençgâh
Murabbâ “Gel Benim Nazh Yârım”
Rast Nakis Beste ‘Amed Nesim-i Subh Dem’ (feat. Sepideh Raissadat)
Rast Kâr-i Muhtesem (feat. Sepideh Raissadat)
Ferbhfeza Terennum III Selbm
Rast Sarki ‘Biz Alûde-i Sagar-i Bâdeyiz’ (feat. Sepideh Raissadat)
Ferâhfeza Terennüm III Selâm (feat. Sepideh Raissadat)
Ferâhfeza IV Selâm (feat. Sepideh Raissadat)
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