
Of Ellyn Maybe’s new poetry/music CD, Rodeo for the Sheepish, the legendary rock critic Greil Marcus wrote, “I heard half of the long, quietly mesmerizing “City Streets” on the radio—what was this? A woman with a poem, with music and a sung chorus not behind her but circling her, and the poem neither exactly recited nor sung, but spoken with such a lilt, in a voice so full of miserabilist pride—at forty, a woman is still getting high-school insults tossed at her (“Hey Mars girl
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There Were Two Girls Who Looked A Lot The Same
Sylvia Plath
All My Life I've Wanted A Great Love
City Streets
I Heard What Sounded Like A Song
Room Part Two
Parallel Universe
Picasso
People
Being An Artist
Yom Kippur Blues
A Day in the Life of the Working Poor Xylophone Maker
The Girl From the Wishing Well
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