
Ehsan Saboohi is a composer and music theorist, he considers himself a post-orientalist composer, a term he has coined to describe a music language for analyzing the aesthetics of his and his colleagues’ compositions. He demands a different language of common Contemporary Classical music trends by taking inspiration from the philosophical-social ideas of the famous philosopher Edward Said.
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Three Music Haiku: II
Prelude
Chaos in the Cosmos
Where is the friend's house
14 Haiku: No. 6, The Tree and Dawn (to Zia Movahed)
14 Haiku: No. 13, Winter Nights (to Len Anderson)
Campanes
Phonemic Chant I
Beckett's Quad Variations No. 1
Interlude I
Genesis
14 Haiku: No. 3, The Earth Awakes (to Hmid Dibazar)
14 Haiku: No. 10, Handful of Cold Light (to Georges Braque)
Phonemic Chant II
Interlude II
Dhikr I
The Earth's Awakening
Beckett's Quad Variations , Pt. One
Cantus I
Sound Chain No. 1
Cantus II
Postlude
Spring Time
Politics-Aesthetics XVI
Phonemic Chant III
Dhikr II
Chaos
Politics-Aesthetics IV
Politics-Aesthetics XIV (Folk music)
14 Haiku: No. 2, The season of spring (to A. Kiarostami)
Hey Love
Interlude IV
Cold Light
Night, Sea, Winter
Spacetime No. 1
1. A Languorous Whisper of Time
14 Haiku: No. 11, Winter, Sae, Night (to Ali Saboohi)
Politics-Aesthetics IV (The Plays No. 2)
Politics-Aesthetics III
Politics-Aesthetics XII (Folk music)
Interlude III
Cantus III
Fragment No. 1
Tree and the Dawn
Politics-Aesthetics II
Politics-Aesthetics XIII (Folk music)
The Old Elm
Sensation of the Fall
Autumn Colored
Politics-Aesthetics I
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