
In 1967 San Francisco's tenor saxophonist Dewey Redman (1931), who had already recorded an original Look for the Black Star (january 1966) for piano-based quartet, moved to New York and joined Ornette Coleman's quartet (1967-74). While his huge tenor counterpoint to Coleman's alto was mesmerizing the audience of free-jazz, Redman penned more originals for a trio session with the Art Ensemble of Chicago's bassist Malachi Favors and Don Cherry's drummer Ed Blackwell
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Tarik
Joie De Vivre
Boody
Innerconnection
Walls-Bridges
Imani
QOW
Sunlanding
PS
Funcitydues
Seeds And Deeds
Lop-O-Lop
Image (In Disguise)
Nine
Fo Io
Dew
Related and Unrelated Vibrations
Bekei
Fo Lo
African Venus
Spoonin'
Le Clit
Paris? Oui!
Stablemates
Life As
Willisee
It
Look for the Black Star
Is
Venus And Mars
Paris Oui
For Eldon
Turn Over Baby
Immani
Echo Prayer
Satin Doll
We Hope
Mr. Sandman
I Should Care
Take The 'A' Train
Unknown Tongue
Spur of the Moment
Communication
Boo Boodoop
F I
Lazy Bird
Kleerwine
Seven and One
Thren
The Very Thought Of You
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