David Kusevitsky was the youngest of four world-renowned cantorial brothers; the other three were Moshe, Jacob, and Simcha. Each of the brothers was a unique and original artist, and each made significant contributions to the art of hazzanut. David’s own vocal style, in addition to its seemingly effortless virtuosity, was especially marked by refined elegance, graceful dignity, and warmth. In many ways he exemplified the 19th-century Viennese ideal
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L'Eil Boruch (Sabbath)
Ashrei (High Holiday)
Zar'o Chayo Vekayomo (Sabbath)
Shehecheyonu (Holiday)
Oz B'Koil
Birkat Hachodesh
Zaro Chayo
Ezrat (arr. S. Silverman for cantor and orchestra)
Ezrat
Shehecheyonu
Mizratze B’Rachamim
Ezrat (arr. S. Silverman for cantor and orchestra): Ezrat
Pagliacci (Sung in Russian): Pagliacci, Act I: Vesti la giubba (Sung in Russian)
Oszamnu mikol om (compiled by R.A. Gaon)
V'chol Hachayim
L'Eil Boruch
Ashrei
Sfira Ho-Omer
Zar'o Chayo Vekayomo
Yitgadal
Hashkiveinu
Ovinu Malkeinu
Brich Shemi (Part 2)
Borcheinu Vabrocho
Al Zos Shibchu
Rosh Ha'shonoh Musaf Amidah: Sichronos
Ldojr wodojr (compiled by the Men of the Great Assembly, Anshei K'nesset Ha'gedolah) [circa 400 B.C.E.]
Brich Shemi, Pt. 2
Sichronos
Ovinu Malkeino
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