
As an Amazon Associate, Spinn Radio earns from qualifying purchases.
Intro
Conclusion
How to Get Cinematic Saturation
This is 80% of what makes your image look great (use it well)
Input Color Space
Introduction
Project Settings
Is your node tree making your grading worse?
Translating cinematography concepts to Resolve tools
I stole this trick from VFX artists
More Examples
When do we use offset instead of linear gain?
Stop using CSTs! Every colorist should have this DCTL
Color grading can be easy if you're a cinematographer
The saturation tool with the best color model inside of Resolve
Don't use parallel nodes like this...
The biggest color grading mistake on YouTube
Applying Film Grain
Working with Unknown Cameras
This saturation tool is decent
One of my favorite ways to get great saturation in Resolve
Getting more advanced and taking more control of saturation
A bonus, advanced saturation technique
Why you'll usually want to skip the saturation curve tools
The downsides of this tool
Pros and cons of your two best saturation options
Examples
Third Example
Create Colorfulness Depth
Pro colorist explains rolloff
What is a macro look?
How to Color Manage using Nodes in DaVinci Resolve
Is there a way to show stops using the curves?
Why this works better in ColorSlice
Finessing saturation
Another Example
When this problem happens
What this setting does, and why it fixes everything
The multidimensionality of saturation
99% of colorists are overlooking the most important part of the grade
Avoid these 3 tools if you want to grade faster
Second Example
Three levels of color management (and 3 things colorists get wrong)
Cinematography core concepts
Can't you just use temp and tint in the HDR tools?
1st tool to never use
The math behind tool #1 that makes it suck
The two things that determine if a saturation tool works well or not
2nd tool to never use
Embrace Strong Contrast
Tune into 50,000+ live radio stations from every corner of the world on an interactive 3D globe with audio-reactive visualizations.