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Cullen Kelly

Cullen Kelly

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Top Tracks

1

Intro

17 plays
2

Conclusion

7 plays
3

How to Get Cinematic Saturation

6 plays
4

This is 80% of what makes your image look great (use it well)

7 plays
5

Input Color Space

6 plays
6

Introduction

6 plays
7

Project Settings

5 plays
8

Is your node tree making your grading worse?

8 plays
9

Translating cinematography concepts to Resolve tools

7 plays
10

I stole this trick from VFX artists

5 plays
11

More Examples

5 plays
12

When do we use offset instead of linear gain?

4 plays
13

Stop using CSTs! Every colorist should have this DCTL

4 plays
14

Color grading can be easy if you're a cinematographer

6 plays
15

The saturation tool with the best color model inside of Resolve

5 plays
16

Don't use parallel nodes like this...

4 plays
17

The biggest color grading mistake on YouTube

4 plays
18

Applying Film Grain

4 plays
19

Working with Unknown Cameras

4 plays
20

This saturation tool is decent

4 plays
21

One of my favorite ways to get great saturation in Resolve

4 plays
22

Getting more advanced and taking more control of saturation

4 plays
23

A bonus, advanced saturation technique

4 plays
24

Why you'll usually want to skip the saturation curve tools

4 plays
25

The downsides of this tool

4 plays
26

Pros and cons of your two best saturation options

4 plays
27

Examples

3 plays
28

Third Example

3 plays
29

Create Colorfulness Depth

3 plays
30

Pro colorist explains rolloff

3 plays
31

What is a macro look?

3 plays
32

How to Color Manage using Nodes in DaVinci Resolve

3 plays
33

Is there a way to show stops using the curves?

3 plays
34

Why this works better in ColorSlice

3 plays
35

Finessing saturation

3 plays
36

Another Example

3 plays
37

When this problem happens

3 plays
38

What this setting does, and why it fixes everything

3 plays
39

The multidimensionality of saturation

3 plays
40

99% of colorists are overlooking the most important part of the grade

3 plays
41

Avoid these 3 tools if you want to grade faster

3 plays
42

Second Example

3 plays
43

Three levels of color management (and 3 things colorists get wrong)

3 plays
44

Cinematography core concepts

3 plays
45

Can't you just use temp and tint in the HDR tools?

3 plays
46

1st tool to never use

3 plays
47

The math behind tool #1 that makes it suck

3 plays
48

The two things that determine if a saturation tool works well or not

3 plays
49

2nd tool to never use

3 plays
50

Embrace Strong Contrast

2 plays

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