
When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone with him. From the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, and into the confrontational expressionism of the '60s avant-garde, Craig handled the total vernacular the way a skilled orator utilizes the spoken word. But the contemporary music world quickly realized that his talents went far beyond his superb skills as a trombonist.
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Rebuilding
Love
Dijiribludu
Zoupy
Song for a Friend
Mandela
Çamlıca
Big Body Girl
Harlem
F-Stops: 2nd Flow
Cab
Say Essay
Blackwell
Homeland
High Life
Dreamtime
LoveJoy
Generations
Somewhere Between
F-Stops: 6th Flow
Mandıra
F-Stops: 1st Flow
Pozitif
F-Stops: 3rd Flow
F-Stops: 4th Flow
Song For Psychedelic Souls
Burundi
F-Stops: 5th Flow
F-Stops: 7th Flow
D.A.S.H.
Conjure Man
September 10 - 1953
Soft Shoe
Awakening Ancestors
Deep Thought
Field Of Stone
Dingo
September 10, 1953
Makanda
Take the Time
Dreamtime (Dusk)
Down (As In Under)
Çamlica
The Veil
Seldom A Word
Arise and Look to the Skies (Isaiah 60:1-19)
Rebuilding
Bone Of The Bone & Flesh Of The Flesh
The Color Line
Wildseed
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