About Constance Cooper
Constance Cooper, composer/improviser, began working as an improviser with the First Avenue Ensemble at Merkin Hall, Princeton University, and The Kitchen in the 1990s. She then received first prize in the 2002 Gustav Mahler Competition (Austria) for her Acrobat, a double concerto with improvised solo violin and cello parts. A commission from the American Composers Forum led to her multi-movement Coming From Us, with new string-instrument hand-positions, bows, and notation (Cadence/Quixotic 5007).
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Top Tracks
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EP066: The King's Tail
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EP Flash: The Team-Mate Reference Problem in Final Stage Demon Confrontation
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Where The River Turns Like An Elbow Into Dusk
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b) you 1
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Stutterers (Tamir Greenberg)
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c) you 2
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a) My dear Marina, what have
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Confucius Slowly
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The Carousels' Organist is the Tempest
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BLEAK
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Lay OUT
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NEON Etude for Cam él
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THE END OF THE INVASION
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THE END OF THE INVASION (no vocals)
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EP Flash: The Team-Mate Reference Problem in Final-Stage Demon Confrontation
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Nightingale (Strings)
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No man has a right (Shelley, A Declaration of Rights) a cappella
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4-done-
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EP Flash: The Team-Mate Refere
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EP066: The Kingâs Tail
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King's Tail
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Team-Mate Reference Problem in Final Stage Demon Confrontation
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Escape Pod 66: The King's Tail
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2006.02.06 - EPFlash017 - The Team-Mate Reference Problem in Final Stage Demon Confrontation
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2006.08.10 - EP066 - The King's Tail
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Etude 14 Same Message But In a Bottle
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Etude 8 Interlude, Greeting With Clouds
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Duo
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Fanfare / Anti-Fanfare / Post-Anti-Fanfare
30
Nightingale (Improv.)
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Wind/Sign
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Wind / Sign
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4-done?
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No man has a right (Shelley, A Declaration of Rights) a cappella
35
CRAWLING VOICES
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