
Carlos Claudio Spies (born March 26, 1925) is a Chilean-American composer. Born in Santiago, Chile, of German-Jewish parents, Spies completed primary and secondary education in Santiago in 1941, when he passed the Bachillerato. Erich Kleiber and Fritz Busch were mentors to Spies at an early age. Spies came to the United States in August 1942 to study music at New England Conservatory and Longy School of Music, where he studied with Nadia Boulanger and, after her departure for California, with Harold Shapero.
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Viopiacem
Bagatelle
Insieme
Beisammen
Impromptu for piano
Three Songs on Poems by May Swenson: I. Unconscious Came a Beauty
Five Sonnet Settings: I. Sonnet XVIII
Five Sonnet Settings: II. Sonnet XXVII and Sonnet XXVIII
Five Sonnet Settings: III. Sonnet CIV
Three Songs on Poems by May Swenson: II. Living Tenderly
Animula Vagula, Blandula
4 Dádivas: II. Ein Aggregats-Walzerl
Three Songs on Poems by May Swenson: III. The Woods at Night
Dylan Thomas' LAMENT and a Complementary ENVOI: I. Lament
Five Sonnet Settings: IV. Sonnet XLIII
4 Dádivas: I. A Between-Birthdays Bagatelle for Roger Sessions 80th-81st
4 Dádivas: III. Bagatelle
4 Dádivas: IV. Verschieden
Dylan Thomas' LAMENT and a Complementary ENVOI: II. Envoi
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4 Dadivas: A Between-Birthdays Bagatelle for Roger Sessions' 80th-81st
4 Dadivas: Ein Aggregats-Walzerl
4 Dadivas: Bagatelle
4 Dadivas: Verschieden
Jaroslav Kocian / spies - Elfentanz, Op. 62
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Lament and a Complimentary Envoi, for Baritone & Piano (1990) I. Lament
Lament and a Complimentary Envoi, for Baritone & Piano (1990) II. Envoi
Insieme, for Flute & Violin (1994)
Bagatelle, for Piano (1970)
Five Sonnet-Settings, for Vocal Quartet & Piano (1976-77) I. Sonnet XVIII
Five Sonnet-Settings, for Vocal Quartet & Piano (1976-77) II. Sonnet XXVII and Sonnet XXVIII
Five Sonnet-Settings, for Vocal Quartet & Piano (1976-77) III. Sonnet CIV
Five Sonnet-Settings, for Vocal Quartet & Piano (1976-77) IV. Sonnet XLIII
Beisammen, for 2 Players (1995)
Four Dádivas, for Piano (1977-80) I. A Between-birthdays Bagatelle
Four Dádivas, for Piano (1977-80) II. Ein Aggregats-Walzer!
Four Dádivas, for Piano (1977-80) III. Bagatelle
Four Dádivas, for Piano (1977-80) IV. Verschieden (26.IX.1979)
Animula Vagula, Blandula, for Vocal Quartet & Piano (1964)
Viopiacem: Duo for Viola & Keyboard Instruments (1965)
Impromptu, for Piano (1963)
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