
Charles Latham wields an acid tongue and a poison pen, crafting social criticism, tragicomic narratives, and brutal self-analysis into three and a half minute ramshackle folk-pop songs. His songs are often exercises in duality: he finds humor in horror and horror in humor, the profane in beauty and beauty in the profane. In a live performance, his audience often laughs and smiles, but he rarely does. His lo-fi home recordings compliment the harsh honesty of his lyrics; his guitar buzzes and rings, and his snarling voice leaps, cracks and cries.
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hard on
My Perfect Church
nice (to me)
Memorabilia
Applications for Employment
nite man
Burn, Burn, Burn
Whiskey Morning Song
Pens
Rich Girls
Squares (I'm Trying to Get In Shape)
The Internet Sexual Predator Talking Blues
The Living Wage
Instructions in English
Everybody Else Likes Me (Why Don't You?)
Drown In the Tears of Your 20s
Boot Hill (Put another arrow in that cowboy)
boot hill
Not Gonna Be Down Today (No Depression)
Drown in the Tears of Your Twenties
Suck It Up
At a Hotel, Downtown
Next To Nothing Blues
Someone Sayin'
(Sometimes) The Bad Guys...
Come Clean
I'm Moving Back to My Parent's House (Ballad for the Boomerang Generation)
come clean
Hide and Seek
The Come Down Years
Laundry Song
Will You Let Me Go
Left On Red
Beltline
Burn Burn Burn
Love Hurts (If You Do It Right)
Oil!
Third Wheel
Gone for Good (Again)
American Traditional
How Do I Leave You
dressed up for nothin'
Folk Radio UK Session
Half-Assed Love
Tell Me The Word
The Letter / Blank Pages
The Last Great Never Was
Train of Thought
Come up Short
Last Great Never Was
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