About Charles Dibdin
Charles Dibdin (before 4 March 1745 – 25 July 1814) was a British musician, songwriter, dramatist, novelist and actor. The son of a parish clerk (or according to Robert Chambers, a silversmith), he was privately baptised on 4 March 1745 in Southampton and is often stated to be the youngest child of 18 born to a 50-year-old mother. He is best known as the composer of the song Poor Tom Bowling (often simply called Tom Bowling), which often features at the Last Night of the Proms.
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Top Tracks
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Tom Bowling
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The Joys Of The Country
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Tom Bowling (arr. Jeremy Barlow)
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Tom Bowling - Arr. for Piano by Julian McNamara
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Dibdin: Tom Bowling
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Lucky Escape
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The Oddities: Song. Tom Bowling (Arr. Britten)
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Tom Bowling (Sailor's Epitaph)
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The Lucky Escape - The Lucky Escape
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Sound Argument: We Bipeds Made Up - Sound Argument: We Bipeds Made Up
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The Joys Of The Country - The Joys Of The Country
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The Taming of the Shrew
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Orfeo Ed Euridice, Act Iii: Che Faro Senza Euridice? - Orfeo Ed Euridice, Act Iii: Che Faro Senza Euridice?
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Dibdin : Tom Bowling
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The Sailor's Adieu - The Sailor's Adieu
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The lass that loved a sailor
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Lamplighter Dick - Lamplighter Dick
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The Ephesian Matron: No. 1, Overture. Presto – Andantino – Allegro
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Shakespeare's Garland: The Warwickshire Lad
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The Camp of Pleasure
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Overture
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12 Country Dances and 6 Cotilions: As you like it
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12 Country Dances and 6 Cotilions: Alls Well That Ends Well
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The Warwickshire Lad
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Vaudeville
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Tom Bowling (Robert Tear)
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Tom Bowling arr Moffat
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The Oddities: Song. Tom Bowling
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The Oddities: Tom Bowling
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The Ephesian Matron or, The Widow's Tears: Vaudeville
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The Ephesian Matron: No. 2, The Trio. Hence, Hence Away (Matron/Father/Maid)
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The Ephesian Matron: No. 7, The Duet. By Venus, Mother of Desire (Centurion/Matron)
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The Ephesian Matron: No. 3, The Father's Aria. But More, a Monument I'll Raise (Father/Matron)
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The Ephesian Matron: No. 6, The Centurion's First Aria. What Ho! Charming Dame, What Ho! (Centurion/Matron/Maid)
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The Maid's First Aria from "The Ephesian Matron"
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As you like it
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Alls Well That Ends Well
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Recitative & Aria from Datchet Mead
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Merry Wives of Windsor & Mistress Quickly
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The Institution of the Knights of the Garter
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Vauderville (The Ephesian Matron)
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The Musical Tour of Mr Dibdin: The Siege of Troy – Our company did not conceive
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Exordium
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The Ephesian Matron: No. 4, The Matron's Mad Aria. And While, Grown Frantic with My Woes (Matron/Maid)
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The Ephesian Matron: No. 5, The Maid's First Aria. If I Was a Wife (Maid/Centurion)
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The Ephesian Matron: No. 11, Vaudeville. Thus Old Wits in Wicked Satires (Father/Maid/Matron/Centurion)
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The Brickdust Man: No. 4. Get You Gone, You Nasty Fellow! (Molly/John)
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The Brickdust Man: No. 6, Duet. Then Let Us Agree (Both)
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The Ephesian Matron: or, The Widow's Tears, a comic serenata: Vaudeville
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The Ephesian Matron, or The Widow's Tears: No 11. Vaudeville: Thus old wits in wicked satires (Father/Maid/Matron/Centurion)
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