
Praised by the international press as one of the most interesting musicians in the field of early music, Catalina Vicens' dynamism and approach to historically informed performance and musicological research has led her to become one of the most versatile and sought-after historical keyboard performers and teachers of her generation. Having specialized in performing on antique keyboard instruments (ranging from the 15th to the early 19th centuries)
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Interludium
Quia Ergo Femina
Creation (Or the Nation of Creatures)
Organum: Alleluia
Planctus: Quis Dabit Capiti - Codex Las Huelgas
Benedicamus, Aquam - Codex Las Huelgas
In Omni Fratre Tuo
Per Non Far Lieto
Chominciamento Di Gioia
Presul Nostri Temporis
Rebirth - Bonus Track
Ecco La Primavera
Audi, Pontus; Audi, Tellus - Codex Las Huelgas
Un Fiore Gentil - Codex Faenza
Redeuntes in La - Buxheimer Orgelbuch
In.Pulsio
Adieu Ma Tres Belle, Buxheimer Orgelbuch
Frowe Al Myn Hoffen
Trans.Animam
Benedicamus, Pneumatem
It Is to Me a Ryght
Puzzle-Canon
Tristitia Vestra
Lamento of Ananias
Organum: Sancte
Unicornis Captivatur
Benedicamus, Terram - Codex Faenza
Nova Cantiga: Rondeau
Cronopio’s Eye Tic
Honte, Paour, Doubtance - Codex Faenza
Sor Seres
Sor Día
Nothingness
Ex.Pulsio
Ex.Anima
Redeuntes in Idem - Buxheimer Orgelbuch
Inperaytriz De La Ciutat Joyosa
Squonk Diptych – I. Weeping
Procurans Odium
Squonk Diptych – II. Chacona
Si Dormiero
La villanella
Gagliarda napolitana
Pavana alla ferrarese
Me lassera tu mo
Poi che volse la mia stella
Obra sobre cantus firmus
Amor quando fioriva mia speme
Calata ala spagnola
Cantai mentre nel core
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