Carl Ruggles
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About Carl Ruggles
Charles "Carl" Sprague Ruggles (March 11, 1876 – October 24, 1971) was an American composer of the American Five group. He wrote finely-crafted pieces using "dissonant counterpoint", a term coined by Charles Seeger to describe Ruggles' music. His method of atonal counterpoint was based on a non-serial technique of avoiding repeating a pitch class until a generally fixed number such as eight pitch classes intervened. He wrote painstakingly slowly so his output is quite small.
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Top Tracks
1
Sun-treader
2
Organum
3
Men
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Angels
5
Toys
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Men and Mountains: II. Lilacs
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Men and Mountains: III. Marching Mountains
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Toys (For Voice and Piano)
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Exaltation
10
Angels (Original Trumpet Version)
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Angels (Trumpet/Trombone Version)
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Mood
13
Vôx Clamans in Deserto: I. – Parting at Morning
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Evocations (Orchestral Version): No. 1, Largo
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Men and Mountains: I. Men
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Men and Mountains: I. – Men
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Men and Mountains
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Vôx Clamans in Deserto: II. – Son of Mine
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Vox Clamans in Deserto
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Portals (for string orchestra)
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Portals
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Vox Clamans in Deserto: I. Parting at Morning
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Angels (version for 6 trumpets)
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Vôx Clamans in Deserto: III. – A Clear Midnight
25
Sun-treader: 1.Quarter note= 69 Poco accelerando (bar/Takt/mesure 1)
26
Vox Clamans in Deserto: II. Son of Mine
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Evocations (Original Piano Version): I. – Largo
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Vox Clamans in Deserto: III. A Clear Midnight
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Evocations (Original Piano Version): II. – Andante Con Fantasia
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Evocations (Original Piano Version): III. – Moderato Appassionato
31
Portals (version for string orchestra)
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Evocations (orchestral)
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Evocations (Original Piano Version): IV. – Adagio Sostenuto
34
Exaltation (For Brass, Chorus, and Organ)
35
Evocations (Orchestral Version): No. 3, Moderato appassionato
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Evocations (original version for piano): I. Largo
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Evocations (piano)
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Evocations No. 1: Largo
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Angels (version for trumpets and trombones)
40
Sun-treader: I. Quarter note= 69 Poco accelerando
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Evocations (original version for piano): III. Moderato appassionato
42
Carl Ruggles - The Complete Music of Carl Ruggles - 20 Evocations (Orchestral Version)- IV - Adagio Sostenuto
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Evocations (Orchestral Version): I. - Largo
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Evocations (version for orchestra): I. Largo
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Evocations (original version for piano): II. Andante con Fantasia
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Evocations (Orchestral Version): III. – Moderato Appassionato
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Evocations (Orchestral Version): No. 2, Andante con fantasia
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Evocations (Orchestral Version): II. – Andante Con Fantasia
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Evocations (original version for piano): IV. Adagio sostenuto
50
Evocations (version for orchestra): II. Andante con fantasia
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