
Bill Seaman music often combines his own structured piano improvisations, composed selections of samples, as well as elaborate computational and analogue abstractions. As a media theorist, he is interested in notions of intelligent systems and computational creativity. His recent collaborations include Light Folds – The Seaman and the Tattered Sail with Craig Tattersall (Facture) – The Humble Bee , The Boats; Minor Distance with Daniel Howe (Cotton Goods); and s_straits with John Supko (Cotton Goods).
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A Dark Thought
Shadow Detail
Ending (part 1)
Ending (part 3)
Another Day
Having Fallen
A History of Silence
Ending (Part 2)
Providing the Mix
The Undoing Of Time
A Visual Record Of Scratches Reflecting On Time
Endgame (For Rrose)
Collections Of Relational Introspections
A Structured Removal, The Balance Of The Pulse
The Clicking
The Memory of a Moment
Entering The Library Of Collapsed Moments
Duet 3
Altered Instruments, The Removal Of Time
The Doubled Was Doubled Over
Against the Volume of the Sea
The Somber Space Of A Word
Watching From Within The Library Of Melancholy Gestures
The Drive Is On the Blink
The Drunken Train Strayed from the Tracks
Ending (Part 4) (Bonus)
Almost Black (Bonus)
Timebook
A Circulated Compendium Of Machinic Thoughts
Slow Motioning Through Scattered Reflections
The Lie Of The Perfect Empty Set
Chance and Change Motioning
And the Ice Appeared Blue
Acting as They Do as Substitutions
The Reflections Inherent To A Chosen Room
The Sea's Enfolded Signatures
The Machinic Exhale
The Illusive Space Of A Thought
Coming to Know the Longing Vocabulary
Chance Fell Across the Doorway
Spinning Wheels
A Recording of the Lie
I Had Fallen for the Delicacy
Flung Overboard as Poetic Justice
The Backs Of My Hands
Duet 1
Composing Memory
Glass Harmonica
Duet 2
The Angle of the Lips
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