
Arthur Doyle began his career playing with Horace Silver, Pharaoh Sanders and Sun Ra, but his participation in underground New York alongside Rudolph Grey, Glenn Branca and DNA opened his style up to rock audiences. The recording Doyle and Grey did, aptly titled “Ghosts,” draws a distinction between two vastly different approaches to a free sound. Grey’s piano exists solely as a complement to Doyle’s outrageous overblowing, a style which would eventually take him to Europe.
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Ghosts II Part One
Ghosts II Part Two
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