
Iranian composer and conductor, Arash Yazdani has studied at Tehran superior conservatory (University of Applied Science and Technology), The Royal College of Music in Stockholm, Hochschule für Musik Basel and Estonian Academy of Muisc and Theatre; and has earned degrees in piano, double bass, orchestral conducting and composition specialties. He is currently pursuing a PhD research of composition at the Estonian Academy of Music and Theatre and was a research residency fellow at Institut für Elektronische Musik und Akustik-IEM Graz.
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Hurreh (2022) for chamber Choir: Hurreh (2022) for chamber Choir
Finite Functions of Infinitive Sets (2011) for four Clarinets: Finite Functions of Infinitive Sets (2011) for four Clarinets - Live
Gā Geriv (2020) for four Flutes: Gā Geriv (2020) for four Flutes
Stromateis: ...Emergence... (2017) for four Saxophones: Stromateis: ...Emergence... (2017) for four Saxophones - Live
Hommage à Georg Friedrich Haas (2020) for two Pianos: Hommage à Georg Friedrich Haas (2020) for two Pianos
Dimension II, Destruction (2012) for sextet with pre-Recorded Sound: Dimension II, Destruction (2012) for sextet with pre-Recorded Sound - Live
Instruction Manual of How to Learn Stop Worrying and Love the Bomb in 5 Minutes (2019) for four Otamatones: Instruction Manual of How to Learn Stop Worrying and Love the Bomb in 5 Minutes (2019) for four Otamatones
Convolutional Emergence (2013) for violin and Percussion: Convolutional Emergence (2013) for violin and Percussion - Live
WinterWolf (2023) for two E-Keyboards: WinterWolf (2023) for two E-Keyboards
Nakba (2019) for large Orchestra: Nakba (2019) for large Orchestra - Live
Hurreh
Gā Geriv (2020) for four Flutes
Finite Functions of infinitive sets (2011) for four clarinets
Instruction Manual of How to Learn Stop Worrying and Love the Bomb in 5 Minutes (2019) for four otamatones
Hommage à Georg Friedrich Haas (2020) for two Pianos
Hurreh (2022) for chamber choir
Stromateis: ...emergence... (2017) for four saxophones
Nakba (2019) for large orchestra
Instruction Manual Of How To Learn Stop Worrying And Love The Bomb In 5 Minutes
Dimension II, Destruction
Convolutional Emergence (2013) for violin and percussion
Dimension II, Destruction (2012) for sextet with pre-recorded sound
Gā Geriv
Stromateis: ...Emergence...
Nakba
Finite Functions of Infinitive Sets
WinterWolf
Convolutional Emergence
Hommage à Georg Friedrich Haas
WinterWolf (2023) for two e-keyboards
Finite Functions of Infinitive Sets (2011) for four Clarinets: Finite Functions of Infinitive Sets (2011) for four Clarinets (Live)
Instruction Manual of How to Learn Stop Worrying and Love the Bomb in 5 Minutes (2019) for four Otamatones: Instruction Manual of
Stromateis: ...Emergence... (2017) for four Saxophones: Stromateis: ...Emergence... (2017) for four Saxophones (Live)
Recordatio
may contain choking hazard
Convolutional Emergence (2013) for violin and Percussion: Convolutional Emergence (2013) for violin and Percussion (Live)
Dimension II, Destruction (2012) for sextet with pre-Recorded Sound: Dimension II, Destruction (2012) for sextet with pre-Recorded (Live)
Nakba (2019) for large Orchestra: Nakba (2019) for large Orchestra (Live)
Stromateis: ...Emergence... (2017) for four Saxophones (Live)
Finite Functions of Infinitive Sets (2011) for four Clarinets (Live)
Dimension II, Destruction (2012) for sextet with pre-Recorded Sound (Live)
Gā Geriv (2020)
Instruction Manual of How To Learn Stop Worrying And Love The Bomb In 5 Minutes (2019)
Finite Functions Of Infinitive Sets (2011)
Stromateis: ...Emergence... (2017)
WinterWolf (2023)
Convolutional Emergence (2013)
Hommage À Georg Friedrich Haas (2020)
Dimension II, Destruction (2012)
Hurreh (2022)
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