
Antonymes : In Formation Antonymes music emerges from the adjustments and erasures of ambient, the pace and persistence of minimalism, where music expresses nothing but itself, from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.
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Reef
301210
My Salvation
A Feeling of Being Closer
Hibernate
Strange Light [ii]
Endlessly
The Siren, Hopelessly Lost
251210
Grotesquely Beautiful
Pour Toujours Sans Espoir
Elegy (Iv)
A Fragile Acceptance
A Light From The Heavens
Delicate Power
Wave Upon Wave
They Have Not Seen The Stars
Oradour-sur-Glane
The Gospel Pass
The Door Towards The Dream
Landscape Beyond An Open Window
Doubt
Snow on Snow
Tristesse (12 Études op. 10: no. 3 in E major)
Misshapen Beauty [i]
Towards Tragedy And Dissolution
311210
Means Of Escape [i]
271210
The Grey Sea And The Long Black Land
La Fin De Tout
Womb of the Great Mother
The Lure Of The Land
On Approaching The Strange Museum
The Womb of the Great Mother
261210
A Heart Filled With Emptiness
A Sadder Light Than Waning Moon
281210
Strange Light (II)
Falling [ii]
Elegy (Ii)
Forever Without Hope [ii]
As If Viewed From A Distance
Elegy IV
Borne Of Sadness [i]
Fatal Ambition
The End Of Everything [ii]
Means Of Escape [ii]
Little Emblems Of Eternity
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