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Anthony Cheung

Anthony Cheung

contemporary classicalClassicalpianoinstrumentalcomposer
539 listeners3.0K plays
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About Anthony Cheung

Composer and pianist Anthony Cheung (b. 1982, San Francisco) has a body of work that ranges from solo to orchestral works. His music reveals an interest in the ambiguity of sound sources and the subtle transformation and manipulation of timbre allied with harmony. Representations of space and place are common themes, achieved through innovations in spatialization and orchestration, as well as actual source material via field recordings. Musical artifacts, both imaginary and allusive, become sites of fragmentation or excavation.

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Top Tracks

1

The Real Book of Fake Tunes (Version for Flute & String Quartet): I. —

207 plays
2

Cheung: Live Ear Emission! "Homage to Olivier Messiaen"

114 plays
3

Running the (Full) Gamut

73 plays
4

The Real Book of Fake Tunes (Version for Flute & String Quartet): II. —

56 plays
5

The Real Book of Fake Tunes (Version for Flute & String Quartet): III. —

54 plays
6

More Marginalia

55 plays
7

The Real Book of Fake Tunes (Version for Flute & String Quartet): IV. —

44 plays
8

Refrain from Riffing

40 plays
9

Windswept Cypresses

58 plays
10

The Real Book of Fake Tunes (Version for Flute & String Quartet): V. —

42 plays
11

Centripedalocity: II. Escape-Cadence Free-Fall (3rd unRaveling)

57 plays
12

vis-à-vis for 18 musicians and electronics: I. —

62 plays
13

Assumed Roles

41 plays
14

Centripedalocity: III. Anadiplosis

50 plays
15

Bagatelles: II. —

35 plays
16

Reserve Flow

41 plays
17

Bagatelles: III. —

47 plays
18

Après une lecture

35 plays
19

All Roads: Introduction. First Detour

31 plays
20

All Roads: I. Forking Paths

31 plays
21

Enjamb, Infuse, Implode

31 plays
22

Bagatelles: I. —

29 plays
23

Elective Memory: I. Aubade, for a Golden Age

25 plays
24

Time's Vestiges

27 plays
25

vis-à-vis for 18 musicians and electronics: II. —

37 plays
26

Roundabouts: I. Elegies in the Round

33 plays
27

SynchroniCities: I.

32 plays
28

Dystemporal: I.

28 plays
29

All Roads: II. Circuitous Routes (Winding Passacaglias)

23 plays
30

All Roads: III. Estuary

21 plays
31

The Natural Word (2019) for Ensemble

36 plays
32

SynchroniCities: III.

28 plays
33

Centripedalocity: I. Faux d'artifice

37 plays
34

SynchroniCities: II.

28 plays
35

SynchroniCities: IV.

27 plays
36

Roundabouts: V. Snap to Grid

27 plays
37

2 Miniatures: No. 1, Springs Eternal

27 plays
38

Dystemporal: II.

22 plays
39

vis-à-vis for 18 musicians and electronics: IV. —

30 plays
40

vis-à-vis for 18 musicians and electronics: III. —

29 plays
41

vis-à-vis for 18 musicians and electronics: V. —

28 plays
42

SynchroniCities: II

32 plays
43

Null and void: Music for the film "Stump the Guesser" (2021) for Ensemble

32 plays
44

SynchroniCities: I

30 plays
45

A line can go anywhere (2019) for piano and Ensemble: Weightless/Sustained - Live

30 plays
46

Roundabouts: II. Reflexive Mirrors

24 plays
47

Roundabouts: III. Amoroso/ Scherzando

24 plays
48

Centripedalocity: I. Faux d’artifice

22 plays
49

SynchroniCities: III

30 plays
50

SynchroniCities: IV

29 plays

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