About Anatol Liadov
Anatol Liadov, also Anatoly Lyadov, (1855-1914) was one of the younger members of the Russian nationalist school of composers. He was a student of Rimsky-Korsakov at the St Petersburg Conservatory in the 1870s, and later taught there. He was regarded as a very original and creative composer who researched Russian folk music and incorporated Russian themes into his compositions. He was also known as a procrastinator. He was the original choice to compose the music for the ballet Firebird
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Top Tracks
1
Waltz
2
Kikimora, symphonic poem
3
The Enchanted Lake
4
Barcarolle für Klavier Fis-Dur op. 44
5
Barcarolle für Klavier Fis-Dur Op.44
6
prelude in d flat major op. 57/1
7
Kikimora
8
Kikimora, Op. 63
9
prelude in d flat major op. 57
10
The Enchanted Lake, Op. 62
11
Baba Yaga
12
The Musical Snuff Box, Op. 32
13
Birulki, op.2 (no.1, 2, 5, 6, 8)
14
Baba Yaga, Op. 56
15
Prelude, op.11 no.1
16
Mazurka, op.3 no.4
17
The Enchanted Lake op.62
18
Marionettes, Op. 29
19
Mazurka, op.10 no.2
20
The Musical Snuff Box, Op.32 (Valse-plaisanterie)
21
Mazurka
22
Fugue for String Quartet
23
A Musical Snuffbox, Op. 32
24
Baba-Yaga, Op.56
25
Polonaise
26
Arabesque, op.4 no.4
27
Polonaise, Op. 49
28
Baba-Yaga
29
Three Pieces, Op. 11 - #1 Prelude in B minor
30
Variations on a Polish folk theme, Op. 51
31
Variations on a Theme by Glinka, Op. 35
32
Prelude, op.40 no.3
33
Barcarolle, op.44
34
Barcarolle pour piano en fa dièse majeur op. 44
35
Scherzo in D Op 16
36
The Enchanted Lake, Op.62
37
Kikimora, Op.63
38
Baba-Yaga op.56
39
Three Pieces, Op. 11 - #2 Mazurka in the Dorian Mode
40
Three Pieces, Op. 11 - #3 Mazurka in F sharp minor
41
Two Pieces, Op. 24 - #1 Prelude in E
42
Three Pieces, Op. 57 - #1 Prelude in D flat
43
Three Pieces, Op. 57 - #2 Waltz in E
44
Three Pieces, Op. 57 - #3 Mazurka in F minor
45
Three Preludes, Op. 36 - #2 in B flat minor
46
Three Preludes, Op. 36 - #3 in G
47
Three Preludes, Op. 36 - #1 in F sharp
48
Two Pieces, Op. 24 - #2 Berceuse in G flat
49
Barcarolle in F sharp, Op. 44
50
Little Waltz in G, Op. 26
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