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Messiah: And the angel said unto them
Messiah: Rejoice greatly
Messiah: He shall feed His flock like a shepherd
Messiah: There were shepherds
Messiah: I know that my Redeemer liveth
Messiah: Thou art gone up on high
Messiah: How beautiful are the feet
Messiah: If God be for us
Alcina, HWV 34, Act I: Tornami a vagheggiar
Jauchzet Gott in allen Landen!, BWV 51: I. Aria, Jauchzet Gott in allen Landen!
Giulio Cesare, HWV 17, Act III: Da Tempeste
Johannespassion, BWV 245, Pt. 2: XXI. Aria, Zerfliesse, mein Herze
Orlando, HWV 31, Act III: Amor è qual vento
Jauchzet Gott in allen Landen!, BWV 51: II. Recitative, Wir beten zu dem Tempel an
Almira, HWV 1, Act I: Geloso tormento
Xerxes, HWV 40, Act I: Un cenno leggiadretto
Passacaglia della Vita (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
Partenope, HWV 27, Act II: Qual farfalletta
Terpsichore, HWV 8b: Air
Jauchzet Gott in allen Landen!, BWV 51: IV. Chorale, Sei Lob und Preis mit Ehren
Jauchzet Gott in allen Landen!, BWV 51: III. Aria, Höchster, mache deine Güte
Terpsichore, HWV 8b: Chaconne
Jauchzet Gott in allen Landen!, BWV 51: V. Aria, Alleluja!
Giulio Cesare, HWV 17, Act II: Piangerò la sorte mia
Ariodante, HWV 33, Act I: Il primo ardor
Teseo, HWV 9, Act IV: Amarti si vorrei
Terpsichore, HWV 8b: Entrée (Jalousie)
Terpsichore, HWV 8b: Ballo
Theatrum Musicium: No. 7, O Felix Jucunditas (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
Un Sarao de la Chacona (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
12 Madrigali per cantare e sonare: No. 9, Troppo ben può questo tiranno Amore (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
Cantates italiennes de différents auteurs, Tome 1: No. 22, Sdegno, campion audace
Armida abbandonata, HWV 105: No. 1, Dietro l'orme fugaci
Armida abbandonata, HWV 105: No. 2, Ah', crudele
Weichet nur, betrübte Schatten, BWV 202: I. Aria, Weichet nur, betrübte Schatten
Weichet nur, betrübte Schatten, BWV 202: III. Aria, Phoebus eilt mit schnellen Pferden
Weichet nur, betrübte Schatten, BWV 202: VII. Aria, Sich üben im Lieben
12 Madrigali per cantare e sonare: No. 8, O dolcezz' amarissime d'amore (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
Amanti, io so vi dire in G Mixolydian mode
Rinaldo, HWV 7, Act II: Dunque I lacci d'un volto … Ah crudel
Weichet nur, betrübte Schatten, BWV 202: IX. Aria, Sehet in Zufriedenheit
Lucio Silla, K. 135 Opera Seria 1772: II. Aria - Parto, m.affretto
Weichet nur, betrübte Schatten, BWV 202: IV. Recitative, Drum sucht auch Amor sein Vergnügen
Weichet nur, betrübte Schatten, BWV 202: V. Aria, Wenn die Frühlingslüfte streichen
Weichet nur, betrübte Schatten, BWV 202: VI. Recitative, Und dieses ist das Glücke
Armida abbandonata, HWV 105: No. 6, Ma che parlo, che dico?
Agrippina condotta a morire, HWV 110: No. 1, Dunque sarà pur vero
Agrippina condotta a morire, HWV 110: No. 3, Ma pria che d'empia morte
Agrippina condotta a morire, HWV 110: No. 6a, Come, o Dio!
Chorale Preludes: Power In The Blood
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