About Alois Posch
Alois Posch is a leading European orchestral double bass player. He started studying violin and piano at the age of ten. At fifteen, he discovered that that contrabass was the right instrument for him. He entered the Hochschule für Musik und darstellende Kunst (Academy for Music and Allied Arts) in Graz. There he studied the instrument with Professor Johannes Auersperg. After winning prizes in competitions for younger musicians he obtained a position in the Vienna Philharmonic in 1977, at the age of eighteen.
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Top Tracks
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Piano Quintet in A 'The Trout' D667: I. Allegro vivace
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Piano Quintet in A 'The Trout' D667: IV. Tema con variazioni
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Schubert: Piano Quintet in A, D.667 - "The Trout" - Theme & Variations
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Piano Quintet in A 'The Trout' D667: II. Andante
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Piano Quintet in A 'The Trout' D667: III. Scherzo (Presto)
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Piano Quintet in A 'The Trout' D667: V. Finale (Allegro giusto)
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 4. Thema - Andantino - Variazioni I-V - Allegretto
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Piano Quintet in A 'The Trout' D667: IV. Tema con variazioni
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Piano Quintet in A 'The Trout' D667: I. Allegro vivace
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Piano Quintet in A 'The Trout' D667: II. Andante
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Piano Quintet in A 'The Trout' D667: III. Scherzo (Presto)
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Piazzolla: María de Buenos Aires, Part 1, Scene 3b: Yo soy María (María)
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Piano Quintet in A 'The Trout' D667: V. Finale (Allegro giusto)
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Piano Quintet in A major, Op. 114, D. 667, "Die Forelle" (The Trout): I. Allegro vivace
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Piazzolla: María de Buenos Aires, Part 1, Scene 1: Alevare (El duende)
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Piano Quintet in A major, Op. 114, D. 667, "Die Forelle" (The Trout): IV. Tema con variazioni
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Piazzolla: María de Buenos Aires, Part 1, Scene 5: Fuga y misterio
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Piazzolla: María de Buenos Aires, Part 1, Scene 8: Misere canyengue de los ladrones antiguos en las alcantarillas (Antiguo ladrón, María, Chorus)
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Schubert: 4. Thema - Andantino - Variazioni I-V - Allegretto
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Piazzolla: María de Buenos Aires, Part 2, Scene 15: Milonga de la anunciación (Sombra de María)
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Piazzolla: María de Buenos Aires, Part 2, Scene 10: Tangata del alba
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Piazzolla: María de Buenos Aires, Part 2, Scene 16: Tangus Dei (Voz de ese domingo, El duende, Sombra de María, Chorus)
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Piano Quintet in A major, Op. 114, D. 667, "Die Forelle" (The Trout): II. Andante
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Piazzolla: María de Buenos Aires, Part 1, Scene 3a: Balada renga para un organito loco (El duende, Payador, Chorus)
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I. Allegro vivace
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Tristezas para un AA
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Piano Quintet in A major, Op. 114, D. 667, "Die Forelle" (The Trout): V. Allegro giusto
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 1. Allegro vivace
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Piano Quintet in A major, Op. 114, D. 667, "Die Forelle" (The Trout): III. Scherzo
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 2. Andante
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Piazzolla: María de Buenos Aires, Part 1, Scene 4: Milonga carrieguera por María la niña (Gorríon, María)
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II. Andante
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IV. Tema con variazioni
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III. Scherzo (Presto)
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 3. Scherzo (Presto)
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Mozart: Per questa bella mano, K.612
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Mozart: Serenade in G, K.525 "Eine kleine Nachtmusik" - 2. Romance (Andante)
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Mozart: Serenade in G, K.525 "Eine kleine Nachtmusik" - 1. Allegro
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Mozart: Serenade in G, K.525 "Eine kleine Nachtmusik" - 3. Menuetto (Allegretto)
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Mozart: Serenade in G, K.525 "Eine kleine Nachtmusik" - 4. Rondo (Allegro)
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Piano Quintet In A Major, Op. 114, D. 667, "Die Forelle" (The Trout) V. Allegro Giusto
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 4. Thema - Andantino - Variazioni I-V - Allegre
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V. Finale (Allegro giusto)
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Piano Quintet In A Major, Op. 114, D. 667, "Die Forelle" (The Trout) IV. Tema Con Variazioni
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Piano Quintet In A Major, Op. 114, D. 667, "Die Forelle" (The Trout) II. Andante
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Piano Quintet In A Major, Op. 114, D. 667, "Die Forelle" (The Trout) III. Scherzo
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Schubert: Piano Quintet in A, D.667 - "The Trout" - 5. Finale (Allegro giusto)
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Little Sad Sound, a Melodrama for Speaker and Double-bass
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Piano Quintet In A Major, Op. 114, D. 667, "Die Forelle" (The Trout) I. Allegro Vivace
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Ridout: Little Sad Sound, a Melodrama for Speaker and Double-bass
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