
Drawing from a palette of processed field recordings, home made synthesizers and distant vocals, Aino Tytti create shimmering, ethereal drones; fusing interlocking spirals of static and noise into widescreen harmonic backdrops and intricately layered structures. Abandoning conventional tuning scales, sounds are recorded and deconstructed to reveal hidden accents and textures. The results are then layered and expanded using uniquely defined harmonic ratios, realised through custom made synthesizers and digital processing.
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Observations from the nightwatch hut, late November
These halls which used to breathe and sing
Silo D
First light, crepuscular loculus
All that which was once lost
A requiem for Silvertown
England’s last lies ruined
Waxing gibbous shines on the black king’s wharf (for Chrissie)
Hellissandur Mast [GRD 7970]
fronte praecipitium
Tergo Lupi
TouchRadio 96
Atratus Seraphim
apophenia I (i)
england's last lies ruined
apophenia I (ii)
Live set from Arcadia with William Basinski and Michael Gira
apophenia II
apophenia III
apophenia IV
Waxing Gibbous Shines on the Black King's Wharf (For Chrissie)
Fronte Precipitium
Mixtape for Jaguar Shoes Collective
Waxing Gibbous Shines on the Black King‚s Wharf (For Chrissie)
England‚s Last Lies Ruined
Live at Arcadia with William Basinski and Michael Gira
these halls which used to breath and sing
Hellissandur Mast
side a - fronte praecipitium
side b - tergo lupi
apophenia (EXTRACT 1)
apophenia I-IV
Ace Hotel Monthly Residency 2015 - (Set mix preview)
GRD 7970
Live at Cafe OTO 14-09-11
Raclir Eophin (for Clare)
Touch 30th Whitwell Wildeye Composition
England’s Last Lies Ruined, 11th Floor Machine Room
Cafe OTO live set
Englands last lies ruined
Waxing gibbous shines on the black kings wharf (for Chrissie)
Live set from Arcadia with William Basin
atratus seraphim V (i)
atratus seraphim V (ii)
Raclir Eophan (for Clare)
Beauty in the Bleak Mixtape
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