
He started music from childhood when his first music teacher was Andalib Golpaygani in Khansar. When he was 18 he moved to Isfahan, famous for gathering of Iranian musicians in the 1920s. In 1921 he was a student of Nayeb Asadollah (The Ney player). He also traveled to Bakhtiari provinces to have some research in the style of Lori Music in Iran. In 1924 he moved to Tehran to study under Hossein Taher Zadeh, and also Hossein Esmaeil Zadeh. During his staying in Tehran he studied the piano from Morteza Mahjoubi.
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‘Erāq (Māhur)
‘Erāq - Māhur
Mobarak
Bayat Tork
Shooshtari I
Homayun,Daramad
Pich
Segâh
Afshari
Âvâz-E-Bayât-E Tork
Homâyoon
Shoor
Shour: Daramad
Âvâz-E Esfahân
Shur:Daramad I
Bayat Esfahan
Dashti, Rahâvandi
Dashti
Nava:Daramad,Chaharmezrab
Mahur:Dad
Homayoun, Daramad
Gosheh Abuata (Shur)
Daramad (Shur)
Avaze Razavi (Shur)
Razavi (Shur)
Bayat Esfahan: Bayat Rajeh
Abouata: Hejaz, Zarbi
Abouata: Chaharbaq (Chaharpareh)
Abouata: Foroud
Nava:Dramad-e Avval ba Tahrir
Nava:Daramad II
Kord-E Bayât
Shour: Gousheye Abouata
Mâhoor, Shekasteh
Shur:Daramad-e Avval ba Tahrir
Chahargah:Daramad ,Chaharmezrab
Mahur:Daramad-e Aval ba Tahrir
Navâ (Violon: Hossein Yâhaghi)
Bayât-E Esfahân
Chahârgâh
Nava:Rohab
Ghajaro Ghatcheh (Shur)
Hejaz, Zarbi, Edameh Hejaz (Abuata)
Daramad (Abuata)
Hassan Mosavi (Abuata)
Foroud (Abuata)
Chahar Bagh (Abuata)
Masnavi (Abuata)
Siyakhi (Abuata)
Bayat Esfahan: Daramad
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