About A Far Cry
A Far Cry is a conductorless chamber orchestra formed in early 2007 'seeking the freedom and flexibility of a string quartet as well as the power and beauty of an orchestra.' They are based in the Boston area and have performed throughout New England. They are notable for their independent model as the members manage all aspects of the orchestra themselves.
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Top Tracks
1
Law of Mosaics: Palindrome for Andrew Norman
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Law of Mosaics: Excerpts from the middle of something
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The Companion Guide To Rome: I Teresa
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The Companion Guide To Rome: II Benedetto
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The Companion Guide To Rome: IX Sabina
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The Companion Guide To Rome: IV Pietro
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The Companion Guide To Rome: III Susanna
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The Companion Guide To Rome: V Ivo
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The Companion Guide To Rome: VI Clemente
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The Companion Guide To Rome: VII Lorenzo
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Law of Mosaics: Beats
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Law of Mosaics: Climactic moments from Adagio for Strings and The Four Seasons, slowed down and layered on top of one another
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The Companion Guide To Rome: VIII Cecelia
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Shara Nova: The Blue Hour: No. 1, Prologue
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Serenata Notturna, K. 239
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Variation 3: Romance
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Law of Mosaics: Climactic moments from movement three, three times as slow as before
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Law of Mosaics: The warp and woof
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Variation 1: Adagio
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Variations on a Theme by Frank Bridge, Op. 10: Introduction and Theme
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O ignis spiritus paracliti
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Angélica Negrón: The Blue Hour: No. 3, A black map
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VECD
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String Quartet, 'Heiliger Dangesang' from Op. 132
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Rachel Grimes: The Blue Hour: No. 2, Opening
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Variation 5: Bourrée Classique
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Variation 2: March
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Variation 4: Aria Italiana
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Serenade in C Major, Op.48: I. Pezzo in Forma di Sonatina
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Variation 8: Funeral March
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Variation 7: Moto Perpetuo
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Visions Fugitives, Op. 22: Animato
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Last Round: I. Movido, Urgente-Macho, Cool & Dangerous
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Encore
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Variation 6: Wiener Walzer
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Variation 9: Chant
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Antonin Dvorak - Serenade for Strings in E Maj., Op 22, Mvt. 2, Tempo di Valse
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Variation 10: Fugue and Finale
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Heiliger Dankgesang from Quartet op. 132
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Sarah Kirkland Snider: The Blue Hour: No. 9, Early summer’s green plums
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Caroline Shaw: The Blue Hour: No. 40, 3rd Refrain
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Rachel Grimes: The Blue Hour: No. 4, A memory
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Visions Fugitives, Op.22, arr. Barshai, Fortes, Higgins, Irons: Lentamente
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Caroline Shaw: The Blue Hour: No. 5, A syllable
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Visions Fugitives, Op.22: Pittoresco - Arpe
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Schnittke: Concerto Grosso no.1, V. Rondo: Agitato
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Concerto Grosso In G Minor, Op.6 No.6: II. Allegro Ma Non Troppo
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Serenade in C Major, Op.48: III. Élégie
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Visions Fugitives, Op.22 Commodo
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Visions Fugitives, Op. 22 Allegretto
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